Where had the baby come from?
“Careful,” said Aunt
Lillian, twenty-one years ago, passing me the glass box. Floating in
the center
was a white blob that made me think of glow-worms.
“Is
it a boy or a girl?” I asked.
“Neither,”
said Lillian. “We call her Silvia.”
I
lifted it for a closer look, and the lambent little monster bobbed.
“Why?”
“Who
is Silvia, what is she,” sang Lillian, implying: no
more questions,
please.
“Why
is she here?” I persisted. No one
at home ever said what
they really meant, and it was very tedious. “Why isn’t she
buried?”
“Well,
she was a baby no one wanted. A baby who died.”
“That’s
sad,” I said. Silvia’s face seemed undecided.
“Your
Uncle Peter used her to teach his students. Do you remember what I told
you, about
him being a doctor? Silvia helped people understand how everything
works.”
“She’s
like the mummies,” I said. “In the museum. They’re
not alive. I’ve seen them
lying there.”
For
my tenth birthday, mum and I had gone to London. My head jangled with
new
sights: ancient coins, dinosaurs, crown jewels, huge gift-shops. The
sooty
Underground below, and the Planetarium constellations above. In
Trafalgar
Square, a yellow-mohawked punk had spat gum in my hair, and my mother
didn’t
dare say anything. Life exploded, so strange and interesting and
dangerous.
After this, dead Doctor-Uncle Peter in a lecture hall with Silvia --
this
pickled bioluminescence -- could hardly seem remarkable.
“A little bit like
the mummies,” said Lillian. “But, you know, that’s
just superstition. About the
afterlife, and such. Silvia has been preserved for science. For
education.”
Aunt
Lillian thought education was important. She always gave me a pound or
some
sweets for a sterling school report. It was good to be a clever girl,
these days.
It hadn't mattered so much when she was young. Why? Oh, girls became
ladies
when they got married, she said, and ladies didn't worry about jobs. “I don’t think you
want this to work,” says my
husband, while I pack my suitcase on a day marked OVULATION. It’s
right there
on the calendar, and I’m shirking my commitments. Last month,
OVULATION clashed
with CONFERENCE, and the month before that -- well, I don’t know.
Maybe my egg
had a more pressing engagement. Maybe it didn’t care for this
Californian climate,
where the sky is too open and blue. It's not my native weather.
“I
have to go home,” I tell him. “It’s not just the
funeral. There’s that whole
house to sort out, and I can’t leave mum to do it all. You know
Lillian didn’t
have kids of her own.”
“Bullshit,”
says my husband, in his forthright, let's-talk-about-this way, which I
used to
find novel and refreshing. Now I see it’s troublesome.
“Your mom can manage.
How much junk does one old lady have? There’s no need to fly out
to England.”
“I
have to go home,” I say, thinking: when we have a child,
she’ll call me mom,
not mum. She’ll be an American, like him; won’t understand
where I come from.
“Sometimes
I think you don’t even want a baby,” he observes.
Sometimes
I don’t, but I refrain from saying so. It’s the kind of
statement which can
haunt a long time after. As a punishment for my even thinking it, a
toddler
kicks the back of my plane seat all the way from LAX to London
Heathrow. His
parents keep apologizing, and I say it’s fine, and it can’t
be helped, and
please don’t worry. Thinking: dreadful little monster. Silvia hasn’t changed,
although her box is
smaller in my hand. I hold it up to the window -- we’ve thrown
away the
curtains -- and she bobs a few times, then settles. She’s the
color of albumen
and altar candles, with a nimbus of curdled smoke, like when a egg
cracks in
boiling water. What am I supposed to do with her?
I
ask my mother, but she's no help; the whole issue makes her
uncomfortable. She
looks much older. Or maybe it’s just England, where the light is
too pale and
lunar. Am I pining for the brazen Golden State, now? What do I want?
I
make an awkward phone-call to the local hospital. Hello. There’s
this, uh,
baby, left to me by an elderly relation. No, not- I mean, a kind of specimen. My uncle
was a doctor of obstetrics, or something. We’re going through my
aunt’s estate,
and we found the b- this item. What should I do?
The
administrator says I have to bring Silvia in for incineration.
It’s tricky,
with these older articles. You can’t keep unlabeled limbs, lobes
or embryos any
more. Did I remember the scandal at Bristol, with all those hearts in
the
basement? Even the nameless dead and their parts need signed forms of
consent.
They must be accounted for. Auntie Lillian’s funeral
is at the new
crematorium, where the abstract stained glass windows shine with
tactless
cheer. The coffin seems out of place, as incongruous as a sarcophagus
amidst
the stackable pine furniture.
“Was
it Pete who couldn’t have kids?” I ask, in the chilly car
park. “Or was it
Lillian?”
“I
never asked,” says my mother, reproachfully. “That’s
a very private thing.”
I
feel embarrassed, as if I’ve forgotten all the proper rules since
I went away.
No more questions, please.
A week later, Lillian’s
house is empty. The
windows reflect moonlight, blank as a White Lady’s glare. My aunt
told me about
these English ghosts: milky-eyed and bonneted, they silently augured a
family
death. When I heard about La Llorona, in Mexico,
she reminded me of them; except, of course, La Llorona has messy
hair and screams mis hijos. The White
Ladies just stand there. Lillian didn’t believe
in superstitions, but she
knew plenty about their arbitrary providence. A smashed egg was lucky,
a
cracked egg wasn’t. Never turn your mattress on a Friday. (Fine
by me; I never
turn my mattress at all.) Thirty-one is the dangerous age for a woman. My flight
is tomorrow. I should repack
my suitcase -- it's nearly midnight -- but I walk the frosty lawn
instead. We
might have forgotten something. Didn’t there used to be a
sundial? I find the
FOR SALE sign, then sit on the back step. Silvia is gone. I light a
cigarette,
and see her burn up like a star, so bright, final, and alone. I should
repack
my suitcase, but I stay there in the cold. Ashes scatter in the dark.
The
students Silvia taught are doctors, or dead, and they still don't
understand
how everything works. And I won't ever know where she came from.
It sounds like a routine disclaimer: notions of what's acceptable may vary, depending on your age, generation, or location. Somehow, I still get surprised by other countries, by my family, and by my own inconsistent views. 'Silvia' is about all this uncertainty. The original Silvia belonged to my Great-Aunt, who was a nurse until she got married. When I was a kid, Silvia seemed magical; now, remembering her makes me uneasy. |